 Last night I watched Out of Sight. I'd seen it before, but never really  paid an awful lot of attention to it, but this time I made an effort to  follow the plot. I think the film is a little over-rated, with editing  style taking precedence over actual substance. In places, it seems to  want to be a modernised version of classic cinema, with freezeframes,  snappy dialogue and a plot that sees George Clooney's prison escapee and  Jennifer Lopez's federal marshal thrown together and falling for one  another, but it is this plot device that in my opinion lets the film  down. I've always hated the tacking on of an arbitrary romance subplot  almost ruining what would otherwise be an incredible picture (see also  the Nightmare Before Christmas, Pulp Fiction, Star Wars), and this is  definitely the case with Out of Sight. If the film had focussed on  Clooney's Jack Foley, his escape from prison and the heists before and  after, I feel it would have been a far superior picture. By all means  keep J-Lo's character, (but for the love of cinema, recast) but drop the  frankly ridiculous romance between the two. The best part of the film  was the cast, with Don Cheadle eating up the screen as hoodlum Snoop,  whilst Ving Rhames supports well as Buddy, Foley's redemption-craving  partner in crime. And the last minute cameo is one of the greatest I've  ever seen.
Last night I watched Out of Sight. I'd seen it before, but never really  paid an awful lot of attention to it, but this time I made an effort to  follow the plot. I think the film is a little over-rated, with editing  style taking precedence over actual substance. In places, it seems to  want to be a modernised version of classic cinema, with freezeframes,  snappy dialogue and a plot that sees George Clooney's prison escapee and  Jennifer Lopez's federal marshal thrown together and falling for one  another, but it is this plot device that in my opinion lets the film  down. I've always hated the tacking on of an arbitrary romance subplot  almost ruining what would otherwise be an incredible picture (see also  the Nightmare Before Christmas, Pulp Fiction, Star Wars), and this is  definitely the case with Out of Sight. If the film had focussed on  Clooney's Jack Foley, his escape from prison and the heists before and  after, I feel it would have been a far superior picture. By all means  keep J-Lo's character, (but for the love of cinema, recast) but drop the  frankly ridiculous romance between the two. The best part of the film  was the cast, with Don Cheadle eating up the screen as hoodlum Snoop,  whilst Ving Rhames supports well as Buddy, Foley's redemption-craving  partner in crime. And the last minute cameo is one of the greatest I've  ever seen.Choose film 7/10
 
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