Completely unintentionally, this was the second film in a row I watched where a young girl burns her own record collection (after Heavenly Creatures), and also the second in not too long a time in which Kirsten Dunst has sex in a field (after Melancholia a few months ago). With a title like The Virgin Suicides, I wasn't exactly looking forward to watching this film, as it seemed like it was going to be joining the ranks of those thoroughly depressing films I'd been trying to avoid lately, and the fact that it was directed by Sofia Coppola, whose Lost in Translation I wasn't overly fond of the last time I watched it, and who I still haven't completely forgiven for The Godfather Part III, made me even less excited. Plus, its a story of the multiple suicides of a clan of teenage sisters, which always leads to a laugh riot in my books.
Showing posts with label Danny DeVito. Show all posts
Showing posts with label Danny DeVito. Show all posts
Sunday, 2 September 2012
The Virgin Suicides
Completely unintentionally, this was the second film in a row I watched where a young girl burns her own record collection (after Heavenly Creatures), and also the second in not too long a time in which Kirsten Dunst has sex in a field (after Melancholia a few months ago). With a title like The Virgin Suicides, I wasn't exactly looking forward to watching this film, as it seemed like it was going to be joining the ranks of those thoroughly depressing films I'd been trying to avoid lately, and the fact that it was directed by Sofia Coppola, whose Lost in Translation I wasn't overly fond of the last time I watched it, and who I still haven't completely forgiven for The Godfather Part III, made me even less excited. Plus, its a story of the multiple suicides of a clan of teenage sisters, which always leads to a laugh riot in my books.Monday, 4 July 2011
One Flew Over the Cuckoo's Nest
Jack Nicholson, in an arguably career best (so far) performance, is R.P. McMurphy, hopes to complete a short prison sentence without resorting to hard labour, and therefore pleads insanity and is transferred to a psychiatric hospital run by the steely Nurse Ratched (Louise Fletcher). Ratched’s treatment methods, including humiliation and a mind-numbing daily routine appal McMurphy, as he realises the other patients are more focused on their fear of her than of functioning in the outside world. Although the main two performances are excellent, both winning well deserved Oscars, the film remains memorable more for the supporting cast that makes up the other inmates. Each has a specific and instantly recognisable personality, be it Brad Dourif’s stutteringly naive suicide risk Billy, Danny DeVito’s childlike Martini or Christopher Lloyd’s crazed loose cannon Taber, used whenever anyone is required to awake to a surprise situation, as Lloyd owns the greatest instant ‘what the Hell’ face on the planet.
The film is remarkable, not only for the acting but also the depths to which the story plunges, with an ending both horrific and genuinely surprising. Throughout the film it is obvious that McMurphy will be discovered as a fraud (something never actually stated during the film), and will of course be sent back to prison where he belongs (the sentence he is attempting to avoid is the statutory rape of a 15-year old girl), but the fate in store for him is far worse than could possibly be imagined. It also features possibly the most elaborate plan to have sex ever, hijacking a busload of patients, commandeering a boat and teaching said loons how to fish.
Choose film 9/10
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